Galerie am Lindenplatz AG Städtle 20 Postfach 224 Vaduz 9490 Liechtenstein
Gruppenausstellung DIVERGENT MULTITUDE mit Arbeiten von
Aurélie Nemours Garda Alexander Claudia Desgranges Miriam Prantl Carolina Rivera-Arboleda Addie Wagenknecht sowie der Werkserie 9 Steps To More Self Care von Katja Berger und Verena Tscherner.
Mit DIVERGENT MULTITUDE eröffnet die Galerie am Lindenplatz eine Gruppenausstellung, die unterschiedliche künstlerische Positionen zwischen Materialität, Wahrnehmung und zeitgenössischen Formen von Identität zusammenführt. Die Ausstellung versteht sich dabei weniger als klassisches Nebeneinander einzelner Werke, sondern vielmehr als vielstimmiger Resonanzraum, in dem sich mediale, formale und inhaltliche Ebenen gegenseitig durchdringen.
Zwischen Textil, Sprache, Technologie, Abstraktion und skulpturaler Geste entfaltet sich ein Ausstellungsparcours über Nähe und Distanz, digitale und physische Wirklichkeiten sowie über die Fragilität innerer Zustände. Unterschiedliche Materialien und künstlerische Handschriften treten dabei in einen präzisen Dialog über Transformation, Selbstwahrnehmung und die Frage, wie sich emotionale und gesellschaftliche Prozesse sichtbar machen lassen.
ENGLISH
With DIVERGENT MULTITUDE, Galerie am Lindenplatz presents a group exhibition that brings together diverse artistic positions situated between materiality, perception, and contemporary forms of identity. Rather than functioning as a conventional juxtaposition of individual works, the exhibition is conceived as a polyphonic space of resonance in which media-related, formal, and conceptual layers permeate one another.
Between textile, language, technology, abstraction, and sculptural gesture, the exhibition unfolds as a parcours exploring proximity and distance, digital and physical realities, and the fragility of inner states. Different materials and artistic approaches enter into a precise dialogue on transformation, self-perception, and the question of how emotional and societal processes can be made visible.
2025 war ein intensives und wegweisendes Jahr meiner künstlerischen Arbeit. Es war ein Jahr der Transformation – von Energie zu Form, von Stille zu Raum, von Schmerz zu Bewegung, zu Licht.
Im Zentrum stand die Frage, wie innere Prozesse, Erkenntnisse und Wissen im Themenfeld Licht, Farbe und Form sichtbar, räumlich erfahrbar und materiell erfassbar werden können – und ebenso, welche Wirkung Form, Farbe und Anordnung auf uns als Menschen haben. Als Essenz als Ergänzung: unsere Umgebung beeinflusst uns, bewusst und unbewusst.
Ich teile hier ein paar Highlights.
Rückblick 2025
Le Forme dell’energia
Centro Internazionale di Scultura, Peccia (Tessin)
In der kraftvollen Landschaft des Tessins entstand eine Gruppen-Ausstellung, die sich mit der Verdichtung von Energie in Material auseinandersetzte. Nebst den präsentierten Lichtobjekten, Malereien und dem gravierten Marmorblock wurde von mir erstmals ein Bodenkonzept realisiert, welches speziell auf den Raum als Erfahrungs-Space konzipiert wurde.
Die Arbeiten zeigten, wie unsichtbare Kräfte Form annehmen – im Stein, im Raum und in der Bewegung der Betrachtenden.
Le Forme dell’Energia, group exhibition, Foto: CIS
One Moment to Breathe
Installation im Palazzo Mora während der Venice Architecture Biennale 2025
One Moment to Breathe war ein Moment zum Innehalten und zu erfahren, wie ich die Kraft objektiver Natur über das alte Wissen von subjektiver Natur in den städtischen Kontext integrieren kann.
Die Installation schuf einen bewussten Kontrast zur Dichte der Biennale und eröffnete einen Erfahrungsraum zwischen Naturprinzipien und urbaner Struktur.
One moment to breathe, Installation, Venice Biennale 2025, Foto&Copyright:ReportArch-Andrea Ferro Photography
TRACE S OF LIGHT AND FORM
Einzelausstellung in Vaduz
In dieser Ausstellung stand Licht als formgebende Kraft im Mittelpunkt. Die Werke bewegten sich zwischen Materialität und Immaterialität und untersuchten, wie Spuren entstehen – als Verdichtung von Energie im Raum.
Vernissage Garda Alexander «Traces Of Light And Form», Galerie am Lindenplatz, Vaduz, Bild aufgenommen am 11.07.2025,
Foto&Copyright: Tatjana Schnalzger
Ausblick 2026
Land-Art Projekt – Sinai, Ägypten
Ein neues Kapitel beginnt in der Weite des Sinai. Das geplante neue Land-Art-Projekt verbindet archaische Landschaft, Zeit und Transformation. Die Natur selbst wird zur Mitgestalterin – Wind, Sand und Licht prägen den Prozess.
Galerieprojekte
Galeriekooperationen im In- und Ausland sind in Vorbereitung. Neue Räume eröffnen neue Perspektiven und ermöglichen weitere Entwicklungen meiner künstlerischen Arbeit.
Mein Buchprojekt nimmt konkrete Form an. THE ART OF TRANSFORMATION verbindet Werk, Lebensweg und Vision.
Es erzählt von meinem Leben als Künstlerin – von inneren Prozessen, von Herausforderungen, von Bewegung und von der schöpferischen Kraft der Wandlung.
Ich danke Ihnen herzlich für Ihre Begleitung und Ihr Vertrauen. Kunst entsteht im Prozess – und lebt durch Resonanz.
Mit herzlichen Grüssen
Garda Alexander garda.ch
Newsletter 2025 – Review & Outlook
THE ART OF TRANSFORMATION
Dear friends and supporters of my art,
2025 has been an intense and defining year in my artistic journey. It has been a year of transformation – from energy into form, from stillness into space, from pain into movement, light.
At the core of my work stood the question of how inner processes, insights, and knowledge can become visible, spatially tangible, and materially perceptible within the field of light, color, and form – and equally, what impact form, color, and spatial arrangement have on us as human beings. As an essence: our surroundings influence us consciously or unconsciously.
I share here some Highlights.
Review 2025
Le Forme dell’energia
Centro Internazionale di Scultura, Peccia (Ticino)
Set within the powerful mountain landscape of Ticino, this group exhibition explored the condensation of energy into material presence. Alongside the presented light objects, paintings, and the engraved marble block, I realized for the first time a floor concept specifically conceived for the space as an experiential environment.
The works demonstrated how invisible forces take shape – in stone, in space, and through the movement of the viewer.
Le Forme dell’Energia, group exhibition, Foto: CIS
One Moment to Breathe
Installation at Palazzo Mora during the Venice Architecture Biennale 2025
One Moment to Breathe was a moment to pause and to explore how I integrate the power of objective nature, through ancient knowledge of subjective nature, into an urban context.
The installation created a conscious contrast to the density of the Biennale and opened a space of experience between natural principles and urban structure.
One moment to breathe, Installation, Venice Biennale 2025, Foto&Copyright:ReportArch-Andrea Ferro Photography
TRACE S OF LIGHT AND FORM
Solo exhibition in Vaduz
This exhibition focused on light as a formative force. The works moved between materiality and immateriality, investigating how traces emerge as condensed energy within space.
Vernissage Garda Alexander «Traces Of Light And Form», Galerie am Lindenplatz, Vaduz, Bild aufgenommen am 11.07.2025,
Foto&Copyright: Tatjana Schnalzger
Outlook 2026
Land Art Project – Sinai, Egypt
A new chapter begins in the vastness of the Sinai desert. The upcoming land art project engages with origin, transformation, and archaic energy. Nature itself becomes a co-creator – wind, sand, and light shaping the process.
Gallery Projects
Several gallery collaborations in Switzerland and abroad are currently in preparation. New spaces open new perspectives and allow further development of my artistic research.
Garda Alexander: The Quiet Force of Color, Light, and Form Garda Alexander is a German-born artist who now lives and works in Switzerland. Her art isn’t showy, loud, or overly conceptual—it’s rooted in something older and quieter: the natural world. With a background in both painting and sculpture, her work crosses disciplines but stays focused on one thing—our connection to life through color, space, and form. Whether she’s working on a spatial installation, a canvas, or a sculptural piece, there’s a steady hum of presence in what she creates. To the website: www.artmusexpress.com
Garda Alexander: Shaping Space with Nature and Thought Garda Alexander, a German-born artist now living in Switzerland, brings a rare depth to her creative work. She moves easily between painting, sculpture, and large-scale spatial designs, always tying her art back to the natural world and human experience. Her early studies in human medicine have left a strong imprint on her style — a careful balance between scientific precision and the wild freedom of artistic expression. Shapes, colors, and structures in her work don’t just fill space — they carry meaning, almost like a language of symbols. Alexander is constantly experimenting, never settling into one method for long. Whether working with traditional materials or pushing into new territory, she invites those who encounter her art to experience discovery for themselves. Every project is an open conversation between place, people, and the unseen rhythms of life. To the website: www.art-wire.net
Nature, Healing, and Transformation: An Interview with Garda Alexander Garda Alexander, a German artist now based in Switzerland, is known for her profound connection to nature and humanity, which permeates every aspect of her diverse artistic practice. With a background in human medicine, Alexander blends scientific precision with artistic expression, creating works that explore color, light, and form in ways that invite viewers to reflect on deeper meanings. Her paintings, sculptures, and land art projects draw from her childhood experiences in nature, where she found solace, inspiration, and healing. Alexander’s art not only invites reflection but also evokes emotions that encourage self-discovery and resilience. To the website: www.artworlddaily.com/
Crafting Art that Invites Reflection and Transformation Garda Alexander, a Swiss artist with a passion for spatial transformation, integrates her talents in visual art with her understanding of how art affects our spaces. With a background spanning painting, sculpture, drawing, and installations, she creates pieces that enrich the environments they inhabit. Her work seeks to evoke reflection and well-being, enhancing both living and work spaces with her thoughtful use of color and light. An international artist and entrepreneur, Garda frequently collaborates with galleries and companies to produce commissioned works that speak directly to viewers on a personal level. Her art goes beyond aesthetics, creating atmospheres that invite deeper contemplation and connection. To the website: https://artoday.net/
Garda Alexander is a Swiss artist who blends her talents in visual art with her skill in transforming spaces, bridging the gap between art and everyday environments. With a solid background across multiple disciplines—including painting, sculpture, drawing, and installations—Garda creates works that both inspire and elevate the spaces they inhabit. Her creations, made with a focus on well-being, invite reflection and enhance the atmosphere of living and work environments alike. Working internationally with galleries and organizations, Garda brings a unique approach to commissioned pieces that connect with viewers on a personal level. Her art uses color and light to create an inspiring and thought-provoking atmosphere. To the website: https://the-artinsight.com/garda-alexander-crafting-spaces-of-color
One of Garda Alexander’s acrylic works, Cosmos Connection, is a small but impactful piece that draws viewers into the vastness of its theme—an exploration of color as a universal link. Through a nuanced application of pigments, the painting creates an illusion of vast space within a limited canvas. It mirrors the feeling of looking into the cosmos, a continuous expanse where colors merge, blend, and overlap. Garda uses acrylics to create a multi-layered effect, which gives the painting depth and fluidity.
In Cosmos Connection, the artist plays with subtle gradations, allowing each color to seep into the next without clear boundaries. This technique suggests interconnectedness and fluidity, much like our own link to the universe. Viewers are drawn to the work’s magnetic quality and are invited to dwell in the colors’ embrace. For Garda, color resonates like music, operating on different frequencies to connect with the viewer emotionally. In this piece, she channels the cosmic energies that bind us, making color the bridge to a greater understanding of our shared existence. To the website: www.artmusexpress.com/garda-alexander
Making its debut this October, Weaving Dialogues is the public programme of Time Space Existence 2025, designed as a platform to enrich ECC Italy’s biennial architecture exhibition as a space for exchange and reflection. Extending the exhibition’s themes into wider conversations, it brings together voices from the show to engage with this year’s recurring topics: Repair, Regenerate, and Reuse. The inaugural edition of Weaving Dialogues will take place on 9 and 10 October in the iconic venue of Palazzo Michiel in the heart of Venice. Over two days, the sessions will spotlight themes including green construction, nature-based solutions, public space, and community regeneration. These dialogues aim to foster networking, broaden perspectives, and showcase diverse architecture and urban planning projects from around the world. By connecting practitioners, researchers, and the public, Weaving Dialogues extends the exhibition beyond its displays, strengthening collective awareness and inspiring collaborative futures. Registration: The talks and screening presented in Weaving Dialogues are free to attend upon registration on Eventbrite link: http://:http://hLps://weaving-dialogues.eventbrite.com.
Agenda – Thursday, October 9, 2025 Time Speakers and Presentation Titles
European Cultural Centre – Palazzo Michiel 5:00 pm ECC Introduction + Opening Remarks
5:10 pm Talk 1 – Greenest House Idea Erika Suzuki + Anders Luhr (OfficeTen Architects) 25 min PPT + 5 mins of Q/A
5:40 pm Talk 2 – Transformation of public squares into zones for regeneration Garda Alexander (Artist – CorporateArt) + Leon Boch (Galerie am Lindenplatz) + Umar Naeem (Architect, Urbanist) 25 min PPT + 5 mins of Q/A
6:10 pm Talk 3 – Play in At-Risk Environments: From Re-use to RegeneraKon Mitch Ryerson – Maad Eman, Andrii Vorobiov (GDIC Architects) 45 min Panel + 15 mins of Q/A
7:10 pm Final Remarks Walk to Palazzo Mora European Cultural Centre – Palazzo Mora Garden
Addresses:
Palazzo Michiel: Strada Nova, 4391A, 30121 Venezia VE, Italy.
Palazzo Mora: Strada Nova, 3659, 30121, Venezia VE, Italy.
https://www.garda.ch/wp-content/uploads/2025/09/Weaving-Dialogues_story-16.jpg19211081Alexander Gardahttps://www.garda.ch/wp-content/uploads/2025/10/Garda-Logo.pngAlexander Garda2025-09-28 12:06:292025-09-28 12:10:06Invitation to Weaving Dialogues: Open Sessions on Time Space Existence
Garda Alexander is a German-born artist who now lives and works in Switzerland. Her art isn’t showy, loud, or overly conceptual—it’s rooted in something older and quieter: the natural world. With a background in both painting and sculpture, her work crosses disciplines but stays focused on one thing—our connection to life through color, space, and form. Whether she’s working on a spatial installation, a canvas, or a sculptural piece, there’s a steady hum of presence in what she creates.
Nature has always been her point of return. From early on, it became a personal refuge and a creative source. That closeness to the earth and sky still informs everything she does. What sets her apart is not just her style but her way of inviting others into the experience. Each piece is less a finished product and more of a field of energy—a space to step into, rather than just observe.
ESSENCE By Garda Alexander
“I create ENERGY FIELDS, fields of perception through color, light, and form.”
That’s how Alexander describes her work, and it’s not an exaggeration. Her art is meant to be felt first and understood later—if at all. At the core of her practice is a fascination with the sensory power of color and light. She doesn’t just use these elements as decorative tools; they’re the main event.
Her paintings, especially those from her ESSENCE series, often read like meditative portals. These aren’t literal landscapes or figures, but impressions—glimpses into how color behaves when freed from strict structure. She lets pigments move with minimal interference. It’s a technique she uses deliberately, especially in the Tracks series.
In these works, paint and lacquer are poured or guided into motion. The pigments settle into patterns not entirely controlled by the artist. She steps back and lets nature do part of the work. The result is a visual rhythm that feels spontaneous, but not chaotic. It’s as if the image reveals itself gradually, like sunlight through shifting branches.
The process is important here. Unlike many contemporary artists who build their compositions through layers of correction or digital tools, Alexander lets chance have a seat at the table. The paint runs. The form dissolves. What’s left behind is something organic, unpredictable, and full of tension between order and release.
Color is its own language in her work. She uses it not just to evoke emotion, but to suggest presence. There’s a cosmic sense to how colors blend or hover—sometimes sharp, sometimes muted, always intentional. In some works, the palette leans into bold, energetic tones. In others, it recedes into soft gradients. But in both cases, light plays a key role. The works don’t sit still—they shift as you do.
Form also holds weight, but not in a rigid way. She describes how form, in certain pieces, “dissolves in a process” that resists total control. That surrender is where much of the impact lies. The boundaries in her work aren’t drawn—they emerge. This is especially clear in her spatial concepts and installations.
These aren’t objects meant to dominate a space; they’re meant to activate it. She creates environments where perception shifts depending on your angle, movement, and proximity. Whether indoors or outside, these pieces remind the viewer that art doesn’t have to shout to change the way we see.
At the heart of it all is her relationship with nature. Not nature as image, but as experience. The way light hits a field at dusk, the glint of water, the movement of wind through branches—these are her reference points. That connection feels honest, not forced. There’s no message pasted over the work. It’s about tuning in rather than decoding.
Her art isn’t didactic, and it doesn’t ask for a particular response. Instead, it makes space for reflection. It asks the viewer to slow down, to step into the field of color and simply notice. That’s harder than it sounds in a world of endless images and fast attention. But Alexander’s work isn’t about trends. It’s about stillness, about seeing, about feeling.
And that’s where her work lands—not in theory, but in the body. It lingers not because it explains something, but because it bypasses explanation altogether. It’s not art you look at once and walk away from. It’s something you carry with you, quietly.
https://www.garda.ch/wp-content/uploads/2025/09/FullSizeRender.jpeg20252033Alexander Gardahttps://www.garda.ch/wp-content/uploads/2025/10/Garda-Logo.pngAlexander Garda2025-09-09 14:23:282025-09-09 14:28:27New article about my work
